Featured, Harmonica Lessons »

[1 Dec 2011 | Comments Off | 7,977 views]
Chromatic for Diatonic Players: Keep that Slider Slidin’- Part 2

By Winslow Yerxa
In the last installment I described the various types of mouthpiece/slide assemblies found on current chromatic harmonicas. This time we’ll look at the differences among the actual sliders and describe ways to keep your slider clean and sliding well.
Straight and Cross Tuned Sliders (and the Reeds Behind Them)
Look inside the mouthpiece holes of the two harmonicas below and you’ll see two different types of slider. The one on top has all the upper halves of the holes open, while the one on the bottom has the upper half …

Featured, Harmonica Lessons »

[1 Dec 2011 | Comments Off | 9,462 views]
Beginning Blues Harmonica Songs? Do they Exist?

By David Barrett 
The following forum question to me offers our discussion for this article…
“Hello David, please tell me what would be the most important songs for every beginner to learn? I’ve just finished [insert study material here]… and I am looking for great songs that I can learn with my level of skill. Can you please suggest a short list of songs to learn alongside with my regular lessons?” Signed, LearningTheHarp
My initial reaction was that they don’t exist. For a blues harmonica song to exist, it’s assumed the player has …

Featured, Microphone Choices »

[1 Dec 2011 | Comments Off | 7,461 views]

 by Fritz Hasenpusch
Patients make their way to the MIC DUNGEON for all manner of reasons, for all manner of treatments. Just like with people, microphones can be affected by many different types of maladies that can adversely influence their looks, their viability, and their functional capability. Since we’ll be studying the “nasty details inside,” let’s assume we’ll be passing on the purely cosmetic fixes (no Kardashians) and dig into ways of actually maximizing your mic’s capability to deliver what you’re looking for: BETTER PERFORMANCE from your harpmic.
Topping the list of upcoming …

Featured, Harmonica Workbench »

[11 Oct 2011 | Comments Off | 10,263 views]
Harmonica Workbench: BluesXlab SP20 Combs

 by Kinya Pollard
What’s not to love about the perfectly milled SP20 combs made by BlueXlab (Italy)—makers of the vintage switchcraft lookalike Amphenol connector volume control. With exquisite materials and seductive finishes, I was fully expecting the BlueXlab (www.bluexlab.com) combs to provide me with my next favorite Special 20 harmonica.
Shown in aluminum

Check out the detail on this olive wood comb:

Unfortunately, there was a design flaw that prevented this from happening. For those harmonica players on the quest for big fat tone, you probably spotted the “fly in the ointment”—the mouthpiece.

No, it …

Featured, Microphone Choices »

[11 Oct 2011 | Comments Off | 3,349 views]
Microphone Choices: Back Inside Lord Microphones

by Fritz Hasenpusch 
Sure, it’s always fun to hang in the bright shiny world of the thin, thin candy coatings that shield LORD MICROPHONE from the corrosive world outside—not to mention your grubby paws—but it’s time to dive back inside. Where the TONE is…
There’s a compulsion among Tin Sandwich jockeys—not all, but many, that drives them to experiment with virtually every aspect of their sonic pursuit. Some will focus on tinkering with the instrument itself: The harmonica’s reeds, the reed plates, the combs, even the nails and screws that hold them together. …